Works on paper: 15th to 19th century drawings, paintings and prints

Attribuito a Giovanni Angelo Canini 

(Roma, 1617 - 1666)

VEDUTA DI PONTE SAN SISTO (recto) E SCORCIO FLUVIALE CON STUDI DI FIGURE (verso)

VEDUTA DI COSTRUZIONI SUL TEVERE (recto) E SCHIZZO DI PAESAGGIO (verso)

matita rossa, carta vergellata, mm 212x280 

(2)

Attributed to Giovanni Angelo Canini

(Roma, 1617 - 1666)

A VIEW OF PONTE SAN SISTO (recto)  AND A VIEW OF A RIVER WITH STUDIES OF FIGURES (verso)

A VIEW OF TEVERE (recto) AND A  SKETCH OF A LANDSCAPE (verso)   

red chalk, laid paper, mm 212x280

(2)

Provenienza 

Roma, M.si Giulio e Giovanna Sacchetti (timbro sul verso di entrambi i fogli)  

Artista francese a Roma, sec. XVIII 

VEDUTA DI PIAZZA DEL PANTHEON                                             

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, applicato su cartoncino, mm 177x242                           

French artist in Rome, 18th century

A VIEW OF PIAZZA DEL PANTHEON                                             

black chalk, pen and ink, brush and wash, laid paper, laid down on cardboard, mm 177x242                                                     

Filigrana                                                                 

ancora entro cerchio                                                      

Iscrizioni                                                                

"Fragonard" a penna sul cartoncino di supporto                            

Artista del sec. XVIII

FIGURE TRATTE DALL'ANTICHITA' CLASSICA

gouache su carta vergellata, applicata su cartoncino, mm 218x292

siglato e datato "F 1780"

Artist of 18th century

FIGURES FROM THE ANTIQUITY

gouache on laid paper, laid down on cardboard, mm 218x292

signed "F1780"

Scuola romana, prima metà sec. XVIII                                      

PROGETTI PER TORCIERE (recto e verso)                                     

matita nera, penna e inchiostro, carta vergellata, mm 280x203             

Roman school, first half of 18th century                                  

DESIGNS FOR CANDELABRA (recto and verso)                                  

black chalk, pen and ink, laid paper, mm 280x203                          

Iscrizioni                                                                

"15" a penna nell'angolo superiore destro del recto; serie di numeri a penna in prossimità del margine superiore.                              

Scuola francese, sec. XIX                                                 

ALLEGORIA DELLA CARITÁ                                                    

matita nera, carta vergellata, mm 240x325                                 

French school, 19th century                                               

ALLEGORY OF CHARITY                                                       

black chalk, laid paper, mm 240x325                                       

Filigrana                                                                 

gilgio entro scudo coronato                                               

Artista neoclassico, fine sec. XVIII/inizio sec. XIX                      

DONNE ALLA SPINETTA                                                       

matita nera, penna e inchiostro, carta vergellata, applicato su cartoncino, mm 175x133                                                                

Neoclassical artist, late 18th century/early 19th century                 

THO WOMEN AT THE VIRGINALS                                                

black chalk, pen and ink, laid paper, laid down on cardboard, mm 175x133  

Iscrizioni                                                                

tracce di una firma a matita non più leggibile, in basso a destra sul recto.                                                                    

Francesco Baratta                                                         

(Genova, 1805 - 1835)                                                     

SCENA GALANTE                                                             

matita nera, penna e inchiostro, carta vergellata, applicato su cartoncino, mm 302x423                                                                

firmato "B. fecit" in basso a destra  

ROMANTIC SCENE                                                            

black chalk, pen and ink, laid paper, laid down on cardboard, mm 302x423  

signed "B. fecit" lower right                                             

Filigrana                                                                 

Gius Testa 1831                                                           

Jacopo Palma, detto Palma il giovane

(Venezia, 1549 – 1628)

L'INCREDULITA' DI SAN TOMMASO

acquaforte, carta vergellata, mm 155x113

firmato "Palma" in alto a sinistra

THE DOUBTING THOMAS POKING HIS FINGER INTO THE WOUND IN CHRIST'S TORSO

etching, laid paper, mm 155x113

lettered "Palma" upper left

Bibliografia di riferimento

Bartsch XVI.292.22

Scuola italiana, sec. XIX                                                 

STUDI PER FRONTESPIZI                                                     

matita nera, mm 95x131                                                    

Italian school, 19th century                                              

DESIGNS FOR FRONTISPIECES                                                 

pencil, mm 95x131                                                         

Artista dell'inizio del XIX secolo                                        

RITRATTO MASCHILE                                                         

matita nera, carta vergellata, mm 312x154                                 

Artist of early 19th century                                              

MALE PORTRAIT                                                             

black chalk, laid paper, mm 312x154                                       

Scuola emiliana, sec. XVII

PAESAGGIO FLUVIALE CON TRE FIGURE

penna e inchiostro, carta vergellata, controfondato, mm 175x275

Emilian school 17th century

LANDSCAPE WITH THREE FIGURES

pen and ink, laid paper, backed, mm 175x275

Scuola francese, sec. XVIII

SCENA ALLEGORICA

acquarello e acquaforte montati a ventaglio, mm 513x230

French school, 18th century

ALLEGORICAL SCENE

watercolour and etching as a fan, mm 513x230

Pietro Antonio Novelli                                                    

(Venezia, 1729  1804)                                                     

ANGELO IN VOLO                                                            

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, applicato su cartoncino, mm 125x97                            

A FLYING ANGEL                                                            

black chalk, pen and ink, brush and wash, laid paper, laid down on cardboard, mm 125x97                                                      

Iscrizioni                                                                

"... Antonio Novelli dis" a penna sul recto in basso a sinistra           

Scuola italiana, sec. XVII/XVIII

STUDIO PER LOGGIATO

STUDIO PER FONDALE ARCHITETTONICO

due disegni, matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 116X201; 160X248

(2)

Italian school, 17th/18th century

DESIGN FOR AN ARCADE

DESIGN FOR ARCHITECTURAL BACKDROP

two drawings, black chalk, pen and ink, brush and wash, laid paper, mm 116X201; 160X248

(2)

Il disegno con raffigurato uno studio per un loggiato, oltre alla scritta a penna "Barozzi", ripetuta sia a destra che a sinistra del recto, presenta sul verso uno schizzo a matita di un edificio a pianta centrale, forse villa Farnese a Caprarola.

Artista del sec. XVIII                                                    

STUDIO DI NUDO IN PIEDI DI PROFILO                                        

matita rossa, gesso bianco, mm 450x275 circa                              

Artist of 18th century                                                    

STANDING MALE NUDE IN PROFILE                                             

red and white chalk, mm 450x275 approximately  

Johann Blasius Santin-Aichel, detto Giovanni Santini

(Praga, 1667 - 1723)

RITRATTI DEI PADRI DI CAMALDOLI E DELLA VERNIA

MASSI FATTI DAL NATURALE ALLA VERNIA

due disegni, matita nera, pennello e inchiostro acquarellato grigio, carta vergellata, mm 192x285; 195x283

siglati "GS" in basso a sinistra

(2)

PORTRAITS OF THE MONKS OF CAMALDOLI AND VERNIA

ROCKS FROM NATURAL IN VERNIA

two drawings, black chalk, brush and grey wash, laid paper, mm 192x285; 195x283

monogrammed "GS" lower left

(2)

Iscrizioni

"Ritratti de Padri di Camaldoli e della Vernia", autografa, a penna in alto sul recto del primo foglio;

"Altri massi fatti dal naturale alla Vernia dove in cima di essi vi nascono faggi che sono lunghissimi", autografa, a penna in basso sul recto del secondo foglio

Scuola dell'Italia centrale, sec. XVIII

PAESAGGIO BOSCHIVO CON VIANDANTE

matita nera, penna e inchiostro, carta vergellata, mm 194x273

Central Italian school, 18th century

FOREST LANDSCAPE WITH A WAYFARER

black chalk, pen and ink, laid paper, mm 194x273

Scuola italiana, sec. XVIII                                               

PAESAGGIO CON CASCATA                                                     

matita rossa, penna e inchiostro, pennello e inchiostro acquarellato, mm 131x190                                                                   

Italian school, 18th century                                              

A LANDSCAPE WITH A WATERFALL                                              

red chalk, pen and ink, brush and wash, mm 131x190

Provenienza

collezione Cesare Frigerio (Lugt 4363); collezione Giorgio Dalla Bella (Lugt 3774)

Scuola italiana, sec. XVIII                                               

NETTUNO E ANFITRITE                                                       

penna e inchiostro, carta vergellata, mm 145x233                          

Italian school, 18th century                                              

NEPTUNE AND AMPHITRITE                                                    

pen and ink, laid paper, mm 145x233                                       

Scuola dell'Italia centrale, sec. XVIII

PAESAGGIO CON GRANDE ALBERO E VIANDANTE

matita nera, penna e inchiostro, carta vergellata, mm 264x205

Central Italian school, 18th century

LANDSCAPE WITH A BIG TREE AND A WAYFARER

black chalk, pen and ink, laid paper, mm 264x205

Scuola veneta, prima metà sec. XVIII

DIANA E LE NINFE ?

matita nera, penna e inchiostro, pennello e inchiostro acquarellato grigio, carta vergellata, controfondato, mm 130x172

Venetian school, first half of 18th century

DIANA AND HER NYMPHS?

black chalk, pen and ink, brush and grey wash, laid paper, backed, mm 130x172

Scuola italiana, sec. XIX                                                 

LE BACCANTI DI ERCOLANO                                                   

sei stampe colorate, mm 416x306                                           

(6)                                                                       

Italian school, 19th century                                          

THE BACCANTI OF ERCOLANO                                                  

six coloured prints, mm 416x306                                           

(6)                                                                       

Iscrizioni

"Baccante dell'Ercolano / In Firenze appo Giacomo Moro" stampata in basso al centro

Attribuito a Angelo Uggeri, detto l'Abate

(Gersa, 1754 - Roma, 1837) 

VEDUTA DELL'INTERNO DEL PANTHEON 

penna e inchiostro, acquarelli colorati, carta vergellata, mm 190x262 

Attributed to Angelo Uggeri, known as l'Abate

 (Gersa, 1754 - Roma, 1837)

VIEW OF THE INTERIOR ON THE PANTHEON

pen and ink, coloured watercolour, laid paper, mm 190x262

Provenienza

collezione Carlo Prayer (Lugt 2044)

Attribuito a Angelo Uggeri, detto l'Abate                                  

(Gersa, 1754 - Roma, 1837)                                                   

VEDUTA DELLA FACCIATA DEL PANTHEON                                        

penna e inchiostro, acquarelli colorati, carta vergellata, applicato su cartoncino, mm 190x262                                                    

Attributed to Angelo Uggeri, known as l'Abate                                 

(Gersa, 1754 - Roma, 1837)                                                   

A VIEW OF THE FACADE OF PANTHEON                                          

pen and ink, coloured watercolour, laid paper, laid down on cardboard, mm 190x262                                                                   

Provenienza                                                               

collezione Carlo Prayer (Lugt 2044)                                       

Attribuito a Bartolomeus Breenbergh                                       

(1599/1600 - 1657)                                                        

PORTA ROMANA                                                              

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, controfondato, mm 397x310                                     

Attributed to Bartolomeus Breenbergh

A ROMAN ARCH                                                              

black chalk, pen and ink, brush and wash, laid paper, backed, mm 397x310  

Provenienza                                                               

Londra, Sotheby's, 3 novembre 1988, lotto 83; Roma, collezione M.si Giulio e Giovanna Sacchetti (timbro sul retro del controfondo)                   

Scuola italiana, sec. XVIII  

STUDIO DI PROSPETTO E PIANTA DI UNA CHIESA 

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 415x276

Italian school, 18th century                                              

DESIGN FOR THE FACADE AND THE MAP OF A CHURCH                             

black chalk, pen and ink, brush and wash, laid paper, mm 415x276

Provenienza                                                               

Roma, collezione M.si Giulio e Giovanna Sacchetti (timbro sul verso)      

Artista nordico a Roma, inizio sec. XIX
VEDUTA DEL FORO ROMANO

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, applicato su cartoncino, mm 160x210                                       

Norther Artist working in Rome, early 19th century                                      

A VIEW OF FORO ROMANO                                                     

black chalk, pen and ink, brush and wash, laid paper, laid down on cardboard, mm 160x210                                                     

Scuola francese, sec. XVIII                                               

PAESAGGIO CON ROVINE                                                      

matita nera, gesso bianco, carta azzurra, applicato su tavoletta, mm 335x500                                                                   

French school, 18th century                                               

A LANDASCAPE WITH RUINES                                                  

black and white chalk, pale blue paper, laid down on panel, mm 335x500    

Scuola napoletana, fine sec. XVII - inizio sec. XVIII

SCENA RITUALE DALL'ANTICO TESTAMENTO

matita nera, penna e inchiostro, pennello e inchiostro acquarellato grigio, carta vergellata, mm 128x358

Neapolitan school, late 17th  century - early 18th century

A SCENE FROM THE OLD TESTAMENT

black chalk, pen and ink, brush and grey wash, laid paper, mm 128x358

Filigrana

parzialmente visibile

Provenienza

Firenze, collezione R. Fuda (marchio sul verso del foglio)

Scuola fiamminga, sec. XVII

VECCHIO ORIENTALE (recto)

CRISTO RISORTO (verso)

penna e inchiostro, carta vergellata, mm 128x100 circa

Flemish school, 17th century

AN EASTERN OLD MAN (recto)

THE RISEN CHRIST (verso)

pen and ink, laid paper, mm 128x100 approximately

Il vecchio orientale deriva dall'Incoronazione di Spine della serie La piccola Passione mentre il Cristo risorto dalla Grande Passione di Albrecht Dürer.