asta a tempo | DISEGNI E STAMPE DAL XV AL XX SECOLO

Scuola bolognese, sec. XVII                                               

STUDIO DI MONACO (recto)

STUDIO DI UOMO IN ATTO DI RACCOGLIERE QUALCOSA  (verso)                                                                   

matita nera, gesso bianco, carta azzurra, mm 215x150                      

Bolognese School, 17th Century                                            

STUDY OF A PREAST(recto)

STUDY OF A MAN IN ACTION TO COLLECT SOMETHING (verso)                                                         

black and white chalk, light blue paper, mm 215x150                

I due studi presenti sul recto e sul verso di questo foglio possono essere confrontati con gli esempi eseguiti nella medesima tecnica da Giacomo Cavedone (Sassuolo, 1577 - Bologna, 1660).                                

Scuola centro italiana, inizio sec. XVIII                               

GLORIFICAZIONE DI SAN FILIPPO NERI

penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 243x178

Central Italian school, early 18th century

GLORIFICATION OF SAINT PHILIP NERI  

pen and ink, brush and wash, laid paper, mm 243x178

Sul verso sono presenti altri due veloci schizzi a penna e la scritta a matita "Barozzi".

Scuola italiana, sec. XVIII                                               

PAESAGGIO CON ALBERI E CASE                                               

penna e inchiostro, carta vergellata mm 170x275                           

Italian school, 18th century                                              

A LANDSCAPE WITH TREES AND HOUSES                                         

pen and ink, laid paper, mm 170x275   

Scuola emiliana, sec. XVII

PAESAGGIO FLUVIALE CON TRE FIGURE

penna e inchiostro, carta vergellata, controfondato, mm 175x275

Emilian school 17th century

LANDSCAPE WITH THREE FIGURES

pen and ink, laid paper, backed, mm 175x275

Scuola dell'Italia centrale, sec. XVIII

PAESAGGIO CON GRANDE ALBERO E VIANDANTE

matita nera, penna e inchiostro, carta vergellata, mm 264x205

Central Italian school, 18th century

LANDSCAPE WITH A BIG TREE AND A WAYFARER

black chalk, pen and ink, laid paper, mm 264x205

Artista del sec. XVIII                                                    

STUDIO DI NUDO IN PIEDI DI PROFILO                                        

matita rossa, gesso bianco, carta vergellata preparata, mm 450x275 circa                              

Artist of 18th century                                                    

STANDING MALE NUDE IN PROFILE                                             

red and white chalk, laid paper mm 450x275 approximately  

Artista del sec. XVIII

STUDIO DI NUDO E MANI

matita nera, sfumino, matita rossa, gesso bianco, carta vergellata preparata, mm 495x340 circa

Artist of 18th century

STUDY OF MALE NUDE AND HANDS

black chalk, red chalk and white chalk, stump, prepared laid paper, mm 495x340 approximately

Artista nordico in Italia, sec. XVIII

LA PISCINA DELLA VILLA DOMIZIANA

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 180x250

Northern artist in working  Italy, 18th century

THE POOL OF VILLA DOMIZIANA

black chalk, pen and ink, brush and wash, laid paper, mm 180x250

Scuola italiana, sec. XVIII                                               

LA DETRONIZZAZIONE DI ZENOBIA                                             

acquarello e gouache su carta applicata su tavoletta, mm  256x500         

Italian school, 18th century                                              

THE DETHRONEMENT OF ZENOBIA                                               

watercolour and gouache on paper laid down on panel, mm 256x500           

L'opera nasceva per essere montata su un ventaglio.                       

Scuola italiana, sec. XVIII

RATTO D'EUROPA

acquarello su carta applicata su tavoletta, mm 272x465

Italian school, 18th century

THE RAPE OF EUROPA

watercolour on paper laid down on panel, mm 272x465

L'acquarello nasce per essere montato su un ventaglio.

Scuola italiana, sec. XVIII

CARITÀ

matita nera, penna e inchiostro, carta vergellata, mm 135x122

Italian school, 18th century

CHARITY

black chalk, pen and ink, laid paper, 135x122 mm

Scuola italiana, sec. XVIII

STREGA

matita nera, carta vergellata, mm 240x197

Italian school, 18th century

A WITCH

black chalk, laid paper, 240x197 mm

Scuola veneta, sec. XVIII

VENERE ALLATTA CUPIDO

matita nera, gesso bianco, carta vergellata azzurra, mm 246x194

Venetian school, 18th century

VENUS NURSING CUPID

Black and white chalk, light blu laid paper, 246x194 mm

Iscrizioni

“Ant. Pellegrini” a penna con grafia antica sul verso

Scuola veneta, sec. XVIII

RITRATTO FEMMINILE

pastello su carta applicata su tavola, cm 62,5X51

Venetian school, 18th century

FEMALE PORTRAIT

pastel on paper laid down on panel, 62,5x51 cm

Scuola francese, sec XVIII

AMORE E PSICHE

matita nera e inchiostro acquarellato colorato, carta vergellata, mm 350x265

French scholl, 18th century

CUPID AND PSYCHE

black chalk, brush and coloured wash, laid paper, 350x254 mm

Santino Bussi

(Bissone 1663 – Vienna, 1737)

LETTERA CON STUDIO DI SANTO, 1691

matita nera, penna e inchiostro, mm 390x267

LETTER WITH STUDY OF A SAINT, 1691

black chalk, pen and ink, 390x267

da Federico Barocci

LA VISITAZIONE

matita nera, penna e inchiostro, carta vergellata, mm 394x276

after Federico Barocci

THE VISITATION

black chalk, oen and ink, laid paper, 394x276

Scuola bolognese, sec. XVIII

TROMPE L'OEIL CON ACQUARELLO STRAPPATO CON MENDICANTI

tempera su carta, cm 24x18,5

Bolognese school, 18th century

TROMPE L'OEIL WITH RIPPED WATERCOLOUR WITH BEGGINGS

tempera on paper, cm 24x18,5

Scuola veneta, sec. XVIII

VENERE E ADONE

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata mm 281x198

Venetian school, 18th century

VENUS AND ADONIS

black chalk, pen and ink, brush and wash, carta vergellata, 281x198

Iscrizioni

"Bison" a matita, a destra lungo ovale che racchiude la scena

Scuola italiana, sec. XVIII

VISIONE DI SAN FILIPPO NERI

matita rossa su carta, mm 490x356

Italian school, 18th century

THE VISION OF SAINT FILIPPO NERI

red chalk on paper, 490x356 mm

Scuola dell'Italia meridionale, sec. XVIII

SAN FRANCESCO DA PAOLA

tempera su pergamena, mm 200x145, entro cornice antica

South Italian school, 18th century

SAIN FRANCIS OF PAOLA

tempera on parchment, 200x145 mm, ancient frame

Scuola napoletana, sec. XVII

STUDIO DI DUE FIGURE

matita nera, penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 145x199

Neapolitan school, 17th entury

STUDY FOR TWO FIGURES

black chalk, pen and ink, brush and wash, laid paper, 145x199 mm

Iscrizioni

"S. Rosa" a penna in basso a destra

Scuola italiana, sec. XVIII                                               

STUDI DI NUDO (recto e verso)                                             

matita nera e gesso bianco, sfumino, carta vergellata marrone, mm 265x360  circa                                                                    

Italian school, 18th century                                              

STUDIES OF MALE NUDE (recto and verso)                                    

black and white chalk, stump, brown laid paper, mm 265x360  

Scuola italiana, sec. XVIII                                               

NETTUNO E ANFITRITE                                                       

penna e inchiostro, carta vergellata, mm 145x233                          

Italian school, 18th century                                              

NEPTUNE AND AMPHITRITE                                                    

pen and ink, laid paper, mm 145x233                                       

Scuola italiana, sec. XVIII

STUDIO PER UN VENTAGLIO

matita nera, carta vergellata filigranata, mm 344x544

Italian school, 18th century

DESIGN FOR A FAN

black chalk, laid and watermarked paper, 344x544 mm

Scuola francese, fine sec. XVIII                                          

VEDUTA DI PORTO CON FIGURE                                                

penna e inchiostro, pennello e inchiostro acquarellato, carta vergellata, mm 370x510                                                                

French school, late 18th century                                          

A PORT VIEW WITH FIGURES                                                  

pen and ink, brush and wash, laid paper, mm 370x510                       

Scuola italiana, sec. XVIII

LA CONVERSIONE DI SAN PAOLO

carboncino e biacca, carta azzurra, mm 430x398

Italian school, 18th century

THE CONVERSION OF SAINT PAUL

charcoal, hightened with white, plae blue paper, 430x398 mm

Gio Stefano Robatto

(Savona, 1652 - 1733)

SAN FRANCESCO RICEVE LE STIGMATE

matita rossa, carta vergellata, mm 470x390

firmato in basso a destra "Io: Stephany Robbatty fecit"

SAINT FRANCIS RECEIVING THE STIGMATA

red chalk, laid paper, mm 470x390

signed at lower right  "Io: Stephany Robbatty fecit"

Scuola italiana, sec. XIX

STUDI DI NUDO

cinque disegni a matita nera e rossa su carta, misure varie

Italian school, 19th century

STUDIES FOR NUDES

five drawings, black and red chalk on paper, various measures